Saturday, 24 May 2014

The Nipples Of Netjer

Unfinished detail: Heru's nipple / The Ark Of Millions
I have completed this morning the final coloring on the canvas for the Ark Of Millions. What was to be colored is now colored; what is to remain white remains white.

Painting the nipples of these deities provoked profound feelings. The nipples of people are such an intimate part of the body, let alone deities. I remembered the last time I was so immersed in other human being that even the nipples seemed divine to me (it was in San Francisco in 2009; I sent an sms to him this morning, recalling that time . . .)

Many thoughts were awash as the last brushes of color were applied to Set’s toenail. It made me recall the very last moments of completion of Winged Set, which was actually also Set’s toenail. I had not planned this, although I knew for sometime that both Set and Heru’s nipples and toenails on this piece were the last parts to be colored.

And so, as the last tracks from an album* I enjoyed in my adolescence belted out (thank you Spotify for letting me access my long lost record collection in this new era!) I painted the toenails of Set, and revelled in the wonder of His and Heru’s nipples.

Unfinished detail: Set's nipple / The Ark Of Millions

*Billion Dollar Babies - Alice Cooper

Shot from the beginning of Summer last year: early rendering of The Ark Of Millions

Wednesday, 14 May 2014


Melbourne Museum turned out another fine exhibition this season with "Aztecs". The journal below is my take on the event, focusing on objects I found most fascinating, and including facts that hitherto I had not understood or known.

One of the cool representations of Aztec art on display at the exhibit

A map revealed how vast the Aztec empire had become, and the exhibition revealed how total the annihilation of the empire and culture was at the hands of the Catholic-frenzy-driven Spaniards. The empire was only 200 years old when this extermination occurred. There is an appalling sense of devastation and annihilation by Christianity that the exhibition thankfully does not attempt to hide.

The Aztec empire began around 1300AD - another fact I was unaware of, although the nation we know as the Aztec empire proper formally began as a unification of 3 nations closer to 1400AD. They were fascinated by other previous meso American races that they believed they sprang from.

I was struck by the complexity of the art and glyphs we were presented with. There is a denseness of skull and death imagery that to modern eyes can only be viewed as macabre, try as I might otherwise. In trying to understand the blood lust that featured quite heavily in the exhibit, much pondering took place. We try to see how the sense of sacrifice and blood letting being a giving back to the gods that suffered when they created the world as a reason for such acts, but can this truly be understood with the head alone?

These Aztec whistles were used in war. The sound of one - played on the audio tour - is one of the most chilling sounds I have ever heard. I want one.

There was a sense of death in many of the pieces featured. I only had the feeling that one statue was "occupied": that of Quetzlcoatl. The exhibition featured a lot on Quetzlcoatl as well as Xochipili (god of spring flowers, gay men and male prostitutes); Tezcatlipoca (god of war and destiny) and the other two main gods were Tlaloc and Huitzilopochtli.

Xoxhipili was one of two of these deities that got my attention. An interactive page featuring a statuette of Him including fascinating references to the Aztecs use of number for divination as well as plants for rituals (read entheogenic trance) is here.

Xochipli - most likely one of my patron deities if I lived in Aztec times
The other was Tezcatlipoca. From Wikipedia:

"He is associated with a wide range of concepts, including the night sky, the night winds, hurricanes, the north, the earth, obsidian, enmity, discord, rulership, divination, temptation, jaguars, sorcery, beauty, war and strife. His name in the Nahuatl language is often translated as "Smoking Mirror" and alludes to his connection to obsidian, the material from which mirrors were made in Mesoamerica and which was used for shamanic rituals".

Tezcatlipoca - most likely the other main deity for me if I lived in Aztec times (source: Wikipedia - Borgia Codex)

The Aztec god of the dead, Mictlantecuhtli

The word Mexico comes from the name that the Aztecs called themselves.

Aztec eagle warrior

Mexico became independent of the Spanish 300 years after the conquest led by Cortes.

Although I am very disturbed by the extermination displayed by the "conquering" Spaniards that this exhibition highlighted, the sentiment of the piece above that was projected on the wall at the end of the exhibit journey was an evocative touch: the Aztec wheel slowly rose up over the church like a sun

Monday, 12 May 2014

Sokar Revisited

I sold my painting of Lord Sokar and the new owner has kindly supplied me with professional quality images of the piece.

The photos reveal subtleties of the work that my cell phone images do not, like the dark blue background and the sharpness of the lines.

The original post from August 2013 when the work was completed is here.